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Finrod_Isilra
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Name: Sam Birthday: 9/11/1988 Gender: Male
Interests: Clarinet, music, friends, movies, books, Catholicism, theology, philosophy, history Expertise: Playing the clarinet Occupation: Student Industry: Music
Message: message me AIM: clarinetboy911
Member Since:
11/24/2005
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|  "The Truth" by Michael D'Antuono
This painting is to be unveiled today in NYC to commemorate Barack Obama's 100th day in office. I find it disturbing on many levels. With this work, D'Antuono has taken the popular notion of Obama's "Messianic" status to a disgusting new low. It's one thing to think that Mr. Obama is doing some good for our nation (personally, I don't think so- not as long as he audaciously promotes the slaughter of America's unborn), but it's an entirely different story when people indulge in this kind of secular messianism, looking on our president as the savior of the human race. Placing all one's hopes on the shoulders of a single man is a dangerous thing to do, especially when that man sees nothing wrong with eliminating the next generation of Americans, and promoting abortion abroad so that we may enjoy economic prosperity at home.
On his website, D'Antuono has posted the following ambiguous description of his new work: "More than a presidential portrait, 'The Truth' is a politically, religiously and socially-charged statement on our nation's current political climate and deep partisan divide that is sure to create a dialogue." To me, this sounds like a circuitous way of saying that the purpose of the piece is to create controversy. I have no respect for that kind of attitude in an artist. It is a sure sign of creative deficiency when you have to resort to offending the sensibilities of large portions of the public in order to generate awareness of your work. An examination of D'Antuono's website only confirms this suspicion in my mind: his body of work appears to consist of fairly routine celebrity portraits and trashy noir-like depictions of busty women adjusting their nylons.
Whatever his motivations or whether he genuinely believes that Barack Obama is the Messiah (I personally doubt it), one thing is certain: Michael D'Antuono is lacking in good taste and subtlety. | | |
| OK, so I haven't used Xanga in about 2 years. Which is unfortunate, I think, because it's a good way to put down your thoughts. Unfortunately, I really don't have any thoughts right now. So I'm going to put down this random blurb about nothing instead.
I'm almost done with my junior year of college at CIM, which has been good (I've made a lot of progress on clarinet), but stressful (I have virtually no life outside of school). This summer I will be at home in Florida relaxing and practicing scales, etudes, and orchestral excerpts. I will also be taking a vacation with my family in Colorado (long drive, but I'm excited because I've never been out that far west before- it'll be exciting to see the Rockies!) and going to Tom Rhein's wedding in Kansas (hooray!).
I have nothing else to say other than you should listen to the music of Astor Piazzolla, because it's downright incredible. | | |
| Hey,
I'm leaving for Michigan on Wednesday, and I probably won't be online much (not that anyone seems to be on xanga much anymore anyway), so if you're wondering where I've gone, that's where I've gone.
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| I am done with school (for the summer).
I am done with Ave Maria (forever).
For
those of you who don't already know, I will be going to the Cleveland
Institute of Music in the fall. I am very excited! I will be studying
clarinet with Franklin Cohen, principal clarinet of the world-famous
Cleveland Orchestra, a very accomplished performer and teacher. He
seems like he's going to be great, and I'm really looking forward to
beginning my studies with him. So if any of you ever find yourselves in
Cleveland anytime in the next couple years, don't hesitate to look me
up
The last couple of days have been really happy, because I finished all
my tests and papers and stuff and I think I did really well (I'm almost
positive I got all A's) and the stress is over. They've also been kind
of sad, because I've had to say goodbye to some friends that I may not
see again for quite a while. It's funny; I didn't realize how much I
really liked all of them until it was time to say goodbye.
I intend
to spend my summer relaxing, reading lots of books, and getting in
shape My family and I are going to be in Ann Arbor for the first
half of June; I'd really love to see anyone who's going to be around,
and I will miss sorely anyone who won't be. We'll also be spending some
time in Wisconsin and stopping by Cleveland for a couple of days on the
way back to meet some friends and visit CIM. When we get back I'm going
to try and get a job, possibly as a lifeguard (didn't see that one
coming, did you?).
I just got back from a great concert by the Naples Philharmonic Orchestra. They played Dvorak's Cello Concerto in B minor, op. 104 and Mussorgsky's "Pictures at an Exhibition". Both are excellent works, and if you haven't heard them you should definitely take a listen.
I'm also excited about something else: I'm playing a solo with the Naples Philharmonic Orchestra on Sunday! My rehearsal last Sunday went really well, so concert should be great. Wish me luck!
~Sam
UPDATE: The concert last night went better than I ever could have expected! I played my concerto really well (listen to the recording below), and on top of that I won a $10,000 scholarship!!!
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| This is an essay I had to write for my ethics class. I thought some of you might find it interesting. Read it if you want to; if not, just ignore it.
In
his short essay On a Supposed Right to Lie because of
Philanthropic Concerns, Immanuel Kant asserts that it is never
permissible to lie, even in the most dire circumstances:
“Truthfulness in statements that cannot be avoided is the formal
duty of man to everyone, however great the disadvantage that may
arise therefrom for him or any other.” From this
statement it can be seen that Kant has inextricably linked the
concept of truth with the concept of duty, which he outlines in his
Grounding for the Metaphysics of Morals. In the following
pages, I will examine the relationship between truth and duty in
Kant's works and attempt to answer some of the more obvious questions
that arise concerning these aspects of Kant's moral theory.
The first and most obvious question that comes
to mind is this: for Kant, where does our duty to tell the truth come
from? Here it will be expedient to examine briefly Kant's concept of
duty, which provides the foundation for his entire moral theory–
for Kant, an action can only have moral worth if it is done for the
sake of duty. Kant defines duty as “the necessity of an action done
out of respect for the law... an action done from duty must
altogether exclude the influence of inclination.”The latter part of
this statements reflects Kant's belief that not only must an action
be in accord with duty for it to be a true moral action, but it must
be done for the sake of duty. Any selfish motive or any kind
of inclination whatever towards the action on any other grounds,
whether for good or for evil, would be enough to negate the moral
worth of that action. For Kant, only adherence to universal law as
such can give our actions a genuine moral value; concern for any
particular end is irrelevant and does not have any bearing on the
morality of the action. This principle gives rise to what Kant calls
the categorical imperative: “I should never act except in such a
way that I can also will that my maxim should become a universal
law.”
For
example, we have a duty to help those less fortunate than ourselves.
Suppose, then, that I give money to the poor for the sake of getting
a tax deduction, or perhaps I do it simply because I am a naturally
sympathetic person who takes pleasure in helping others. In both
cases the action is in accord with duty– my duty is to help
the poor, and whatever my motivations, I have done it– yet
according to Kant neither action has any true moral
significance because I did not act purely for the sake of duty.
Here Kant is not suggesting that only the cold and emotionless person
who has nothing to gain in a particular situation is capable of doing
a truly moral action; in fact, we may indeed take pleasure in helping
the poor and we may even get a tax break out of it. But for Kant
these are merely accidental consequences of our action and must never
constitute any part of our motive for doing it in the first place; in
his own words: “The moral worth [of an action] depends, therefore,
not on the realization of the object of the action, but merely on the
principle of volition according to which, without regard to any
objects of the faculty of desire, the action has been done.”
Now that we have discussed Kant's conception
of duty (albeit by no means exhaustively), we will return to our
original question: from whence comes our duty to tell the truth? The
most basic answer Kant gives is that since human society is founded
on contracts and mutual trust, every lie undermines the basis of
society and therefore harms humanity in general, and as such we have
a duty to tell the truth at all times. He uses the categorical
imperative to prove his point: by lying, we want everyone to accept
what we say as true, when in fact it is not. We do not, by the same
token, will that the maxim by which we lie be universalized, because
this would result in our being lied to as well; no one would trust
each other, and society would collapse. Kant very rightly observes
that when we violate duty, we are far from willing that our maxim
should become a universal law– we are actually willing that the
opposite of our maxim should hold true universally, exception
being made only for ourselves. By lying, I am not willing that
everyone else lie to me, but rather that everyone should believe my
lie and tell the truth themselves. Kant's postulation here is really
quite brilliant: that by my very transgressions of universal law, I
am actually confirming the existence of such a law.
However, if we examine Kant's ideas more
closely, we can see that the categorical imperative seems to be
inherently flawed according to Kant's own principles. According to
Kant, neither the consequences of an action nor the end for which it
is done have any bearing on the morality of that action. But by
applying the categorical imperative to a particular action, are we
not taking into account ends and consequences when trying to
determine whether we could universalize the maxim by which we are
about to act? If I determine that it is my duty to tell the truth,
for the reason that I cannot universalize my maxim of lying because
it would mean my being lied to myself, is this not merely thinly
disguised self-interest, which Kant himself says cannot be the basis
for any sound moral theory? Apparently, the categorical imperative
will need to be refined if it is to be a reliable litmus test for the
morality of a particular action, and if this is the case, then Kant
has not really answered the question of where our duty to tell the
truth comes from.
Perhaps now we should consider another
question: to whom do we owe our duty to tell the truth? Kant's
occasion for writing On a Supposed Right to Lie because of
Philanthropic Concerns was in reply to criticism of his works by
the French philosopher Benjamin Constant. Kant had asserted that it
was not even permissible to lie to a murderer who was trying to kill
a friend hiding in your house, telling him that the friend was not
there. Constant disagreed, and gave the following argument: “It is
a duty to tell the truth. The concept of duty is inseparable from the
concept of right. A duty is what in one man corresponds to the right
of another. Where there are no rights, there are no duties. To tell
the truth is thus a duty, but is a duty only with regard to one who
has a right to the truth. But no one has a right to the truth that
harms others.”
Kant's reply is curious; he seems to infer
that when Constant says certain people have a “right to the truth”
while other's don't, he is arguing that we determine objective truth
by an act of will, which doesn't seem to be what Constant is trying
to get at here. It is as though Kant was unable to meet Constant's
argument head-on and decided to skirt the issue by making Constant's
words appear to mean something else entirely. Kant later says that
the nature of truth is such that it cannot be granted to one person
and denied to another, but that “truthfulness in statements that
cannot be avoided is the formal duty of man to everyone...” But if
this is the case then on what basis is Kant making this assertion? He
doesn't really back up his thesis; he only postulates that every lie
harms human society because it “vitiates the very source of right.”
This is the very same argument that we encountered earlier when
trying to establish the grounds for a supposed duty to tell the truth
in every circumstance. We have already determined that this theory
doesn't hold water according to Kant's own moral principles because
it is based on an application of the fundamentally flawed categorical
imperative, which, as we have seen, is nothing more than glorified
self-interest. And, as Kant himself says, such selfish inclinations
cannot provide the basis for a sound moral theory because they are
not capable of being universalized.
Kant seems to be reasoning in circles, and he
has still not provided convincing evidence for his assertions that we
have a duty to tell the truth unconditionally, and that we owe this
duty to every man, irrespective of any supposed “right to the
truth” (or lack thereof) in any particular circumstance. These are
compelling theses, and Kant might have been able to back them up with
a compelling argument if he had made his case for the universal duty
to tell the truth to every man based on the nature of Truth itself
and the inherent dignity of Man, rather than on circular arguments
and flawed reasoning. | | |
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